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Digital coreograf_1- Partners - Movie (1.85 Mb)

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The core of this project is also to investigate at what extent the context for a new art is created by the joining of digital communication and dance as art form. The new material which artists will be dealing with more and more must be identified, in the meeting point between the processes of visual and linguistic virtualization brought to a viewer by digitally created media.

One must explore this new art in its own terms, i.e., understanding its suitable context and the emerging theories (post structuralism, chaos theory, culture studies) that bring up to date its questioning of notions largely taken for granted such as subject, object, space, time, culture and human communication.

The forum where this new art operates is not the materially stable pictorial space of painting or the space of sculptural form; it is the electronic virtual space where secret languages are afloat.

References:

Homer G. Barnett. 1953. Innovation: the Basis of Cultural Change. New York: McGraw-Hill.
Heidegger, Martin. The Thing'. Poetry, Language, Thought, 1971. New York: Harper and Row
Rheingold, H. (1994). Virtual Reality. London: Mandarin.
Andersen, P. B. (1990). A theory of computer semiotics. Cambridge: Cambridge University Press.
M. Heidegger 'Der Ursprung des Kunstwerks' (1935/36) in: Holzwege Klostermann Frankfurt/M. 6th revised edition 1980